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   Hi I am Senior Instructor Longo (long - o) Macaco (muh-kok-o) of the M.A.R.T.Y. (Martial Arts Reachs Today's Youth) Capoeira Program. Most dance styles in break-dancing come from this style of fighting.

M.A.R.T.Y. MARTIAL ARTS REACHES TODAY’S YOUTH

   M.A.R.T.Y. was founded in the year 2000 by martial artist Mr. William Matheny (Mestre Galho). Mr. Matheny wanted to show youth another side of the martial arts world and show them it’s more to it than kicking and punching. M.A.R.T.Y. was founded to serve as a positive alternative for youth of different culture and ethnic background. Since the program’s conception, hundreds of youths have participated in the program; some former members have gone to become certified M.A.R.T.Y. instructors after graduation from high school. The program has three main components:

• Education
  
• Physical Fitness
  
• Community Service & Fundraising
  

   Education is the most important aspect of the M.A.R.T.Y. program. Each member must maintain a “C” average or better in school and stay away from gangs, drugs, drinking and smoking. All students must present report cards or progress reports to the Instructors.

   Physical fitness plays an important role for our youth, not only is they learning different types and styles of martial arts, they are also shown different and exciting new ways of exercising. When a young person feels fit they become more confident about themselves, and their self-esteem rises.

   Community Service shows the youths that giving back to the community can be rewarding, it also teaches them the value of hard work. Fundraising lets the students see what it is like (to some degree) to be in the working world and earning money for something they believe in. Students must help with fundraising in order to go to different events and tournaments. M.A.R.T.Y. students have participated in a number of different community events such as:

• Arkansas WorldFest
  
• Arkansas RiverFest
  
• Boys & Girls Clubs of America National Kids Day
  
• Half time of the Arkansas Twisters football games
  
• And a host of others

Thank you for your interest in the M.A.R.T.Y. program. If you have any questions please feel free to call Mestre (mess-thray) Galho (guy-o)  @ 501.912.0095

CAPOEIRA HISTORY

   Capoeira is a 400-year-old martial art that blends music, dance, singing, and acrobatics to create a holistic approach to teaching self-defense. Originating in Africa, Capoeira was brought to Brazil by captured slaves from Angola. In this foreign land the Angolan people developed their practice into a method of defending themselves against their violent overlords. Because of their predicament, these enslaved people had to disguise their training as recreational song and dance.

   The slaves from Angola, like slaves brought to the United States, blended their familiar call-and-response song forms with the regional dialect to create songs that glorified their homeland, deities, and future freedom. These songs were accompanied by a number of percussion instruments like the tambourine (pandeiro), bells (agogo), and, most importantly, the one-stringed instrument brought from Africa, the berimbau.

   The ginga, roughly translated as swing was created as the basic movement of Capoeira, so that two people practicing Capoeira appeared to be dancing together rather than fighting. The ginga is set to the rhythm of the berimbau and other instruments (bateria) to enhance the notion of dance and also to teach timing, a critical element in Capoeira.

   Another characteristic of Capoeira that helped to mask its purpose of defense is the avoidance of direct contact and threatening movements against an opponent. Since a slave was obviously not allowed to show direct aggression or even opposition to his master, he had to learn the art of trickiness or malandro. For this reason, modern Capoeiristas still prize sneakiness and cunning over strength and aggression. The goal of Capoeira is not to defend oneself through violence but by redirecting and avoiding violence. Although Capoeira was originally conceived as a non-aggressive practice, it was later used as a violent weapon by street gangs in Rio de Janeiro. With the emancipation of all slaves in Brazil in 1888, many former slaves, lacking jobs and social status, formed Capoeira gangs and took to crime. As a result of the terror caused by these gangs, Capoeira was outlawed in Brazil in 1892. Capoeiristas found teaching, practicing, or using Capoeira were punished severely. The price was a slashed Achilles’ tendon, knee, or even throat. Capoeira, however, has always been a resilient phenomenon, and it practitioners continue to hand down their beloved way of life to the next generations.

   In response to the outlawing of their art, Capoeiristas moved even further underground in their practice. They adopted nicknames to identify each other as Capoeiristas without revealing their real identities. This practice continues to this day with nicknames, usually descriptive of the Capoeirstas’ style or body type being given to a newly “baptized” student of Capoeira. They also held their rodas in places that offered concealment or convenient escape routes if the cavalaria (police) showed up.

   It wasn’t until 1937 that Capoeira was legalized for practice in registered areas. This development was thanks to the nationalistic president Getulio Vargas, who wished to promote Capoeira as a Brazilian sport.

   Today Capoeira is practiced all over the world. With the addition of Mestre Bimba’s newer, faster style, Capoeira Regional and various attempts to blend Regional with its ancestor Capoeira Angola, Capoeira has seen some interesting developments since its liberation in the early 1900s. It is a renewed source of pride for Brazilians and an adopted way of life for Capoeiristas across the globe.

M.A.R.T.Y. MOTTO

(Portuguese Translation)

Capoeira no tem raci,

Capoeira no tem cor,

Capoeira e amour

(English Translation)

Capoeira has no race,

Capoeira has no colour

Capoeira is LOVE